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Book Title: 遊戯 11|
The author of the book: Yuu Watase
Format files: PDF
The size of the: 815 KB
City - Country: No data
Date of issue: November 1994
ISBN 13: 9784091362216
Loaded: 1925 times
Reader ratings: 7.7
Read full description of the books:
The pacing really picked up here, though not in a bad way. I feel like the conflict between Tamahome and Miaka was too easily created and then too easily resolved, though it is a testament to their bond. (Even if I'm not entirely in love with their chemistry, tbh) Also we get to meet some of the Byakko seishi. Oh Tatara, why is your name so fun to say.
Overall, aside from q u e s t i o n a b l e malicious Fushigi Yuugi strips (or at least one of them) this was a pretty solid volume. You can really tell that Yui is hiding something but you kind of hope she isn't. Also I love that it's a tough decision but she feels trapped here while at the same time wanting to go through with it. I also love the introduction/interaction of the Byakko seishi. Finally, as it's been so long since I've touched the anime, I forgot a certain devastating plot point that happens in this volume. (and, reader, it hurt)
That being said, while I respect Watase-sensei's characterization choices, as they are her own, and accept them as canon, I don't have to like them. While for the most part I do, I really kind of lineface at Chriko's characterization-- it's fairly good but through the story there's not enough of it (view spoiler)[except crammed in right in the very end before he dies (hide spoiler)] and sometimes seems like a plot contrivance. Though I wouldn't mind that if it were a little more developed.
This has always been one of the flaws of Fushigi Yuugi to me, quite honestly. The tail end of the seishi really don't get a whole lot of time for development-- moreover, Miaka cares about them sure but is super narrowly focused on Tamahome. (and Hotohori and Nuriko). Which, I am not saying is bad writing necessarily... but for my own preference, I'd really like to see Miaka getting to know and caring deeply about all her seishi. They are putting their lives on the line for her after all.
At the end of it, however, it's still a really solid volume that carries the plot along.
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Read information about the authorA Japanse shoujo manga-ka. She is known for her works Fushigi Yūgi, Alice 19th, Ceres: The Celestial Legend, Fushigi Yūgi Genbu Kaiden and Absolute Boyfriend. She likes all music, except heavy metal and old traditional music.
She received the Shogakukan Manga Award for shōjo for Ceres, Celestial Legend in 1997. Since writing her debut short story "Pajama de Ojama" ("An Intrusion in Pajamas"), Watase has created more than 80 compiled volumes of short stories and continuing series. Because of her frequent use of beautiful male characters in her works, she is widely regarded in circles[which?] as a bishōnen manga artist. In October 2008, Watase began her first shōnen serialization, Arata: The Legend in Weekly Shōnen Sunday.
Her name is romanized as "Yû Watase" in earlier printings of Viz Media's publications of Fushigi Yūgi, Alice 19th, and Ceres, The Celestial Legend, while in Viz Media's Fushigi Yūgi Genbu Kaiden and Absolute Boyfriend her name is romanized as "Yuu Watase". In Chuang Yi's English-language versions of Fushigi Yugi (spelled without a macron or circumflex), her name is romanized as "Yu Watase".
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